Audience Expands Hidden Treasure Lineup with Debut of
Premium AC Wall Receptacle and High-Performance Circuit Breaker
San Marcos, CA, February 28, 2019 — Audience has added two new products to its Hidden Treasure AC in-wall power solutions lineup with the introduction of its Hidden Treasure High Definition AC Wall Receptacle and Hidden Treasure High Definition AC Circuit Breaker. Both employ Audience’s proprietary MORRE (Musically Optimized Reduction of Resistive Energies) technologies to deliver cleaner, more phase-correct AC power and yield better sound and performance from audio/video components.
The new products join Audience’s Hidden Treasure HDAC in-wall power cable to provide a complete, ultimate-quality in-wall power-delivery solution for high-end audio, custom-installation, home theater, multiroom and other in-wall applications.
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About Audience
Audience was formed in November 1997 by John McDonald and the late Richard Smith, as a design and production company focused on building the best possible audio and video equipment. To pass the Audience test, each product must truly make a significant contribution to the reproduction of audio and/or video. Audience offers loudspeakers, electronics, cables, power conditioners, high-resolution capacitors and the Auric Illuminator optical disk resolution enhancement.
Audience’s commitment is to develop the very best products possible, and the company is committed to unexcelled customer service and product support. All Audience cables have an unconditional lifetime warranty and power conditioners have a ten-year warranty. For more information visit www.audience-av.com.
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Bought two Hidden Treasure AC Wall Receptacles from The Cable Company. They have made a big difference to my sound and video system. The receptacles are also very easy to install. A great product!
I was using a Furutech GTX-S (R) (no NCF) and then bought a Hidden Treasure. Both are side by side on the wall and broken in. My sound system amounts to something like $65,000. The Audience outlet is like trying to much to control and it results in tight bass but un-natural timbre of instruments like trompette or other brasses that sound plastic. It also make some parts of frequency spectrum disappear. That’s more of a problem with old jazz recordings and also symphonic orchestras. We have to think that those accessories are about tuning and if your system is already tight, using some of those may reveal inappropriate. BTW, my experience with the much praised Orange fuses turned out a similar error.