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The Merrill Replica ES-R1 Turntable Review

High Performance Analog Playback on the Cheap

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Merrill Replica ES-R1 Turntable

For those of you of a certain age, Mr. George Merrill does not require much introduction. For all intents and purposes, his modest set of (then) high tech upgrades to the venerable Acoustic Research (AR) turntable in the 1970’s ushered in the era of modern belt drive turntable design. George’s extensive knowledge in sound reproduction and pioneering studies in plastics and sound engineering through energy management, first yielded the much heralded and critically acclaimed Merrill Heirloom turntable. Already the rock star of the high end turntable set, George Merrill’s story continued to evolve with a partnership with machinist Anthony Scillia. This partnership yielded a ”Class A” effort. the $14,000 Merrill-Scillia MS21 turntable. For many, the MS21 was considered the reference standard in sonic terms; the one to beat. Fast forward some twenty or so years, and once again George Merrill returned to the forefront, this time with a new design partner/machinist, a well-known studio recording engineer Robert Williams. The R.E.A.L. 101 turntable, a radical departure from George’s previous endeavors, once again set a new standard in the areas of sonic neutrality, isolation through a non-suspended energy management system, and speed accuracy. The REAL 101 soundly eclipsed the performance of the MS21 at roughly half the price. Now with patent approvals under their belts, Messrs. Merrill and Williams continue their good work on the R.E.A.L (rubber) turntable platform.

Meanwhile, George digs deep into the parts bins and revives, with some thoughtful tweaks, the very turntable that started it all. He calls it the Merrill ES-R1 Replica. The ES-R1 Replica without tonearm and in the standard nicely finished maple wood base retails for $995. The Merrill ES-R1 Replica can also be ordered with a pre-mounted Jelco SA-250 tonearm ($1495). The turntable can be upgraded to include a digital speed controller ($690) and hard dust cover ($139). My review sample came with the Jelco SA-250 tonearm pre-mounted. It is the subject of this review.

Installation and Set-up

As you would likely have already guessed, the new Merrill ES-R1 Replica is an enhanced revival exercise of the original Merrill Heirloom. As such, there is very little surprise in how it looks and functions. However, the enhancements are indeed significant.

The thrust of George Merrill’s work throughout the years has centered upon the control and elimination of mechanical energy and vibration throughout the record playback system. True to the original Heirloom ( and of course AR turntable) formula, the Merrill ES-R1 Replica sports a spring-loaded T-bar subchassis suspension and is belt driven with an AC synchronous motor. In fact, it is the very same AC synchronous motor (with slight modification) that was in the Heirloom as well as in the current Merrill-Williams R.E.A.L. 101 turntable. However, this is where the use of the Heirloom’s parts bin ends.

George has updated the materials used in the sub-chassis, springs, as well as the bearing to reflect the latest in technology that goes beyond the acrylics and plastics that were utilized in the original Heirloom. For instance, the drive pulley is made of the same material as that employed in the Merrill-Williams R.E.A.L. 101. The motor is base is mounted and largely decoupled from the plinth as well as the entire sub-chassis and platter. Merrill Replica ES-R1 Turntable Platter and pulley

Both inner and outer platters are made of a poly material that is inert and, as I came to realize, does not cause any ill-effects to the life and dynamics of the sound as do other plastics. The outer platter is anointed with the superb rubber and cork mat that is used in the Merrill-Williams R.E.A.L. 101 turntable, as well as being sold separately as a GEM Dandy product (see

The turntable arrives pre-assembled for the most part. The major components are the base-with subchassis, wall-wart transformer power supply, drive belt, bearing oil syringe, inner platter and bearing, and the outer platter.
Merrill Replica ES-R1 Turntable in the shipping box

Power is supplied to the turntable via a small “wall-wart” transformer and connection is mounted in the rear of the base. The turntable base has also been pre-wired for use with standard RCA-style interconnects, should you choose to hardwire the tonearm to the turntable base. This affords a level of flexibility in using any high-end interconnect of your choice.

The thick polymer tonearm board is designed to be interchangeable which allows you to use whatever tonearm you choose. For the purposes of this review, the manufacturer chose to provide their standard offering, an excellent 9” Jelco SA-250 tonearm whose base was pre-mounted on the Merrill ES-R1 turntable review sample. Jelco SA-250 tonearm

I chose to mount my superb vintage (and no longer NOS) National Panasonic EPC-205CIIL moving magnet phono cartridge for the purposes of this review.

As a veteran user of several iterations of Acoustic Research’s turntable as well as the excellent British Pink Triangle, set-up of the Merrill ES-R1 was a breeze and came as second nature.

Many have openly criticized Merrill designs in the past for their cosmetics. Those who were dissatisfied with the look of the superb Merrill Heirloom and the Merrill-Scillia MS21 turntables will find no solace here. The Merrill ES-R1 Replica is every bit the “kissing cousin” of the vintage Merrills in terms of look and feel. I, for one, am comforted by that fact and am not at all perturbed by it. . Merrill Replica M1 Turntable

The reference system utilized for this review period included the:
Zesto Andros PS-1 tube phono stage
Pass Labs XP-20 Line Stage
Melody Audio P2688 Tube Line Stage (full review forthcoming)
Pass Labs X350.5 Power Amplifier
Eficion F300 speakers
MIT Styline Matrix 70 speaker cables
MIT Matrix 36 Balanced and Single-Ended interconnects
National Panasonic 205CIIL phono cartridge

6 Responses to The Merrill Replica ES-R1 Turntable Review

  1. Kurt Wolf says:

    what a lovely, no-nonsense review! I bought the then new (and at the time, -only- AR manufactured) “newly revised” version of the original: 1984’s “The AR Turntable”. I paid the price of $300 USD for a demo version which came which included a rather inferior OEM tonearm, which I eventually upgraded to a Sumiko MMT Tonearm with a replacement of the stock POS wooden stock armboard with one metal armboard drilled and sold by none other than the even then venerable AR upgrade expert himself, George Merrill. I was very proud of that table, but it still suffered from the inferior limitations of AR’s own bearing and motor!

    I read your review, phoned Mr. Merrill, had a highly educated conversation and placed my order seconds later via email. I cannot wait to receive my new table, which will include the dustcover, digital motor drive and a pre-drilled armboard for my Moerch DP-6 Precision Red tonearm in the optional black finish!!

    Next year I’ll save my coins up for the slightly modified/enhanced Ortofon Cadenza Blue MC cartridge that George carries! Until then I’ll run a Shure or AT 150….

    Thanks for your meaningful, well-considered, concise and no BS review!!!!

  2. Ray Seda says:

    Thank you for your kind words and congratulations!
    I am quite familiar with the Moerch DP-6 as I had a 12″ gold precision one for a time.
    I expect that you will get very fine results mounting it on the “Replica”.

    Since you are getting the motor drive upgrade, it would be quite interesting to hear back from you regarding your impressions once you get it and it settles in!


  3. lee says:

    Why has this turntable not gotten more press, looks nice old school ( don’t take this wrong, looks like
    a turntable should ). Would like more reviews.

  4. Kurt Wolf says:

    I have been running this table after my initial review almost three years ago and cannot be happier with my purchase. The best part how long is that George Merrill Stands well behind his own products well after the sale. Even the simplest question is met with enthusiastic answer which evokes both logic and experience, both are characteristics rarely seen these days in the high-end. If I were in the market for another turntable I would be looking to his company.

    I’m on the other eight turntables I have owned including some more expensive models Highway this table as my all-around favorite. I would be writing more on this subject here except I’ve noticed that George is no longer carrying the suspended turntable reviewed herein. However I have heard nothing but good things from others about the polytable, which solves problems for those folks who have wobbly floors who would otherwise be required to mount the suspended table from a shelf or other strong anchors for mechanical isolation. Just very pleased I purchase one of these while they were in production.

  5. Denny Voss says:

    Kurt, thank you for helping me understand just WHY George never told me about the Replica ES-R1 and why I never found it on his site…until now. George has been expertly guiding me down a path modifying my AR The Turntable for the last year and I never knew about this table. No wonder as it is no longer in production!

    However my real point in writing is to add another voice of support of George’s efforts and expertise. He is truly a “gem” who will help guide you to a place of shockingly great sound. My own path was to improve a vintage AR turntable, and I couldn’t be happier. Currently his complete turntable options include the Polytable and the Merrill Williams 101.2. In light of my experience with George, I have every confidence these options are no less stellar than the outcomes with my AR.

    I recently was able to compare my AR to a very fine and expensive Clearaudio Master Solution turntable on my system. After several weeks of listening to the Clearaudio, I went back to my AR fearing I’d been spoiled by a superior experience…but I wasn’t. In fact I didn’t miss that fancy, expensive turntable one bit and found the listening experience to be every bit as wonderful on the AR.

    So far my improvements include his copolymer sub chassis, new springs and studs, his motor, his feet, a copolymer drive pulley, a Jelco 750D tonearm and cable, a Hana SL cart, and a solid wood plinth base replacing the OEM cardboard. These changes were guided by not only George, but also Dave at Vinyl Nirvana. To complete my journey I’m waiting delivery of an Heirloom original acrylic/lead platter and George’s DMD speed controller.

    Bottom line…I highly recommend both Dave at Vinyl Nirvana and especially George to anyone looking for a wonderful vinyl experience AND not wasting your dollars.

  6. CARLO MITTINO says:

    I am interested on George ‘ DMD speed controller for my Heirlomm original acrylic/lead platter turntable. Until now I was not able to reach an email address to try to contact Merrill’ factory, has someone usefull informations. Thank,

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