It was Father’s day seven years ago; Becky, my then 17 year old son Michael, and myself had just moved from Georgia to the San Francisco Bay Area. We hadn’t found a house yet, but I knew one of the first things I wanted do. I wanted to go to Yoshi’s. To make it even […]

The clear, blue sky of that summer day felt like a blessing to people of all walks of life everywhere on Earth, and for one particular Seattle man in his sixties, who had long grown accustomed to the bustling international inquiries and ordering activities to his business, the dependable peacefulness of the blue sky would […]

Introduction Benchmarks are a good thing. Students are given standardized tests to ensure they’re on par with their classmates, and CPAs are given re-certification exams to ensure the tax returns they prepare are properly construed. Audiophiles are no different: we typically use (or should use) live music as the benchmark to which our home stereos […]

Experience Matters Sometimes I envy full-time reviewers who can dedicate all their time to the wide world of high-end audio. They listen to such a large numbers of products that they can develop a perspective about the “best” products over time. On the other hand, reviewers like me may hear 3 or 4 excellent models […]

Intro While I like all the audio equipment I own, I must say that the item that’d be the toughest to part with is a Kenwood KT-8300 tuner that I have modified extensively. When fully stock, the tuner sounded a little dry & thin, but still was superior in performance to my McIntosh MR-67 tuner […]

When I first laid eyes on it, I thought, “A CDP with heat sinks? Now that’s radical!” The Rega Saturn is something different, not due to its slightly unconventional looks, but rather its unconventional technology and, dare I say radically unconventional sound. The term “radical” seems a bit strong for the British outfit that has […]

Rick Schultz is the president of the Canadian high-end audio cable company, Virtual Dynamics, and he is also a dynamic hub of information on audio cable designs. Having spoken to him at Shows and on the phone numerously over the course of last four years, I found him to be a humble man, also possessing […]

The Company Just like I asked in the review of the UltraVerve preamp: why would anyone write another review of the deHavilland 845-G’s? My answer, is that often when a product has been out for a while, we forget about them. If you are considering amps in the $8,000 to $20,000 price range and you […]

Description The Audience adept Response aR12 twelve-outlet power conditioner has to be one of the most positively reviewed power conditioners ever. I have not read a review of the aR12 that didn’t say it was simply unbelievable. The only problem was that it cost nearly $4,000 dollars. Along comes the aR1p, at only $495. It […]

The Mk3 version of the German Accustic Arts’ Preamp I represents the highest level of design convergence ever from the company in functionality and performance; and yet it retails for only $5,500 in the U.S. The Preamp I MK3 is an op-amp-based design, utilizing two of Burr Brown®’s more advanced chipsets, namely the OPA627 and […]

A direct-coupled, active-loaded, parallel-feed output SE 45 amplifier. -Design by John Tucker, with contributions by Mike LaFevre, John Camille, and Kim Jenkins http://www.positive-feedback.com/Issue1/single.htm “Actually the lineage of that amp goes back to a lunch at some crummy Chinese restaurant in Vegas in 1997, during CES. JT and I had been looking over some of the […]

Audiophiles could fill the world with arguments over the merits of aftermarket cabling, and there are plenty of skeptics regarding the benefits of paying a pricey premium for a power cord. I should know, I was one of them. There was a time when I would have been solidly on the side of those who […]

September 2007: updated with industry comment from Stan Ricker of Stan Ricker Mastering Is it possible for one cartridge to do the job of playing all your records? Can one cartridge play back original mono pressings (usually with plenty of wear and tear) and modern audiophile reissues with equal fidelity? Well, first, you should ask […]

Bösendorfer (bûr-z&n-‘do-f&r) VC7 Auditioning of the Bösendorfer VC 7 loudspeakers took place amidst the presence of amplifications as typified by the 100lb+, $79k Audio Note Ongaku integrated amplifier, the 3-chassis, $64k M10 preamplifier and a single-chassis, $34k M8 preamplifier. Combak’s $24k, Harmonix Reimyo PAT-777 300B stereo amplifier, Nagra’s $11k Pyramid Monoblock Amplifiers and Linn’s $9k […]

The Company According to the importer’s website, Auditorium 23 was not “founded”, in the common sense of the word. Rather, it just sort of came into being through their enjoyment of music in the early 80s. They started with a journey into the past where they learned much about what they were looking for in […]

John Watkinson is the author of the book, The Art of Digital Audio. In the July/August 2002 edition of Resolution, a new audio magazine from the UK, John wrote an article entitled The cable snake in a regular column feature known as “slaying dragons”. In that article, he said “…On the other hand, if the […]

I’ll never forget the day I saw a picture of a “pocket poodle*.” How small can a dog get? It amazed me how far miniaturization has been taken. No less amazing is how tiny electronics have become. I remember very well my father’s Heathkit separates which he lovingly built and how the preamp/tuner and amp […]

Sounding Ultralock Just what is this “UltraLock” feature, the DAC1’s claim to fame? I conducted an informal online interview with John Siau, Director of Engineering at Benchmark Media, who happens to use the first hand-built prototype of the DAC1 in his home system. He summarized: “UltraLock is a clock isolation system. The incoming digital audio […]

Introduction If I told my family that I spent part of a Saturday afternoon writing a review on how different power cables sound, they’d think I’ve gone batty. Power cords? Come on! But it’s true, it’s crazy but true. And while I am a full-monty audiophile, I’m also trying to keep my audio habit (sounds […]

The purpose for starting this column was to share with you what its like to be a reviewer. So with this year’s “Home Entertainment” show in New York this May, I thought it would be a good time to talk about Audio Shows. I had been to a few shows over the years, and I […]

YG Acoustics first made its presence known in the high-end audio community in CES 2006, occupying two rooms for demonstration on a consumer model and a professional model, both featuring all-aluminum cabinets. The consumer model, dubbed Anat Reference Professional, retailing for $92,000 per pair, had won the top industry accolades from Hong Kong and Japan, […]

Midrange At the beginning of my audiophile adventure, I used Quad and Acoustat electrostatic drivers for the midrange frequency band in my hybrid speakers using my own design of subwoofers and ribbon super tweeters. Later, I used ribbon midrange panels in my quest for transparency. Although these planar drivers sound quite good in many respects, […]

Reviewer Anxiety When Constantine Soo asked me to review the Music Hall Maverick SACD Player, I accepted with just a bit of apprehension. Paradoxically, this apprehension originated out of two very different and somewhat contradictory concerns. First, I own an expensive high-end redbook transport/DAC combo, and I have periodically wondered whether SACD technology will make […]

Cables have to be the most underappreciated component. I chose the word “component” carefully, since I fully intend to convey that cables are a component in today’s high-end audio. Proof of this is found in the exquisite lengths (pun indented) cable manufacturers are going to producing conduits which will convey all the proper information. A […]

History And Description How do you say, “too good to be true”? Or maybe I’m just plain lucky. Whatever the cause I still can’t believe my first review in the world of vinyl playback is that of the latest incarnation of my favorite cartridge from my youth. There is no other audio component that I […]

Let’s Get Two Things Out Of The Way Before We Begin The Review: First, Clearaudio is a turntable maker who already comes with a reputation for making some of the most industrially beautiful, and sonically detailed, transparent, and accurate turntables on the market. In fact, when I talked about what was wrong with turntable these […]

May 11 – 13, 2007 Grand Hyatt Hotel, New York, NY As always there are some very exotic looking speakers at the show. Here are a few that caught my eye. A few eyeballs from Cabasse: Some funky horns from Loiminchay: An even funkier horn from Dr. Tetsuo Kubo, the Kubotek “Haniwa” speakers: I’m with […]

May 11 – 13, 2007 Grand Hyatt Hotel, New York, NY What was the most fun thing about the show? Well three things for me. Seeing old friends, making new friends, and the ballroom where there was lots of Vinyl to buy. John DeVore and Michael Lavorgna Michael this time with Jules Coleman Art Dudley […]

Wayne Parham of Pi Speakers (www.pispeakers.com) had a heck of an idea for an audio show that would appeal to both DIY’ers and small manufacturers: A BYOG (Bring Your Own Gear) show with minimal participation cost that would allow most anyone to be an exhibitor for just the cost of a hotel room. The concept […]

During the course of reviewing the Von Schweikert VR-4 SR MkII in February and March of 2007, reviewer Douglas Schroeder spoke with Albert Von Schweikert extensively. The following article comprises the bulk of their enlightening conversations. DAGOGO is grateful to Albert for spending the extra time to delineate his philosophy of speaker design, share some […]